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Fuzhou Teahouse / Neri&Hu Design and Research Office

Architect: Neri&Hu Design and Research Office
Place: Fuzhou, China
Year: 2021
Photographer: Hao Chen
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The new project designed by the architects of the Chinese studio Neri&Hu, draws inspiration from imagery uniquely associated with Fuzhou: the Jinshan Temple.

Back in 1871 the Scottish photographer John Thomson was one of the first reporters to visit and tell the Far East through his beautiful shots collected in the album “Foochow and the River Min”. Among the 80 shots, one in particular, the one depicting the Jinshan Buddhist Temple built on an island in the quiet waters of the Wulongjiang River, has become the symbol of the city and the inspiration for the Fuzhou Teahouse project.

Conceived as an urban artifact and drawing from the historical roots of the city of Fuzhou, the Relic Shelter internalizes a piece of distinct heritage at a time when rapid new development has eroded traditional culture and identity. The client’s brief posed the unique challenge of creating an enclosure for a Chinese artifact – the wooden structure of a high-ranking Qing dynasty official’s residence, replete with ornamental carvings and intricate joinery. Relocated from Anhui to its new home in Fuzhou, the Hui-style structure is enshrined as the inhabitable centrepiece of a new teahouse.

Envisioned as a house atop a rock, the teahouse is elevated above a rammed concrete base, while its sweeping copper roof echoes the roofline of the enclosed architectural relic. Its core material, rammed concrete, is a modern homage to the traditional earthen dwellings of the region, emphasizing a raw monumentality. Visitors are presented with two images of the building upon approach: the upright silhouette of the form, and its mirrored reflection duplicated in the surrounding pool of water.

A series of contrasts play out among elements that are bright and dark, light and heavy, coarse and refined, as visitors enter the grand hall where the structure of the ancient residence is situated. Sky wells penetrate the roof, bringing natural light into the depths of the enclosure and illuminating the priceless artifact on display. Only upon reaching the mezzanine does the structural configuration of the building begin to reveal itself. The hovering metal roof is lifted 50 cm off the solid base by copper-clad trusses to introduce a sliver of continuous illumination around its periphery. Wrapping itself around the historical wooden structure, the mezzanine space allows visitors to appreciate intricate carpentry details at eye level.

The basement level includes a secondary arrival lobby housing a rotunda, a sunken courtyard, and tasting rooms. At the top of the rotunda, a carved oculus capped by the glass is submerged beneath the pool in the courtyard above. It filters the sun through a thin film of water, creating a mesmerizing play of reflections.

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